https://commercialtype.com/catalog/portrait/portrait_inline

Portrait Inline is a beautiful, decorative addition to the collection, building on the inscriptional quality of the capital proportions. Portrait Inline Regular takes minimalism present in the rest of the collection to its logical extreme: sharply tapering outer strokes play against monoline inner strokes, with all extraneous detailing stripped away. The Inline Sans takes the structure of the Inline Serif, exposing the geometric underpinnings of the proportions, while adding a dimensional element through its overlapping strokes.

https://commercialtype.com/catalog/portrait/portrait_text

With its relatively small x-height and sparkling texture, Portrait Text is meant to be used for larger sizes than a typical workhorse text face. It is best suited for books where economy is not paramount and the stylish magazines where Portrait first appeared: downtown New York fashion and arts magazine Document Journal, and design and style authority Wallpaper*. Portrait Text resembles the text types attributed by the printing historian Hendrik Vervliet to Constantin and used by Estienne in the 1530s, which had a lighter and more open texture than the text types that preceded them, and marking the move to more elegant type that culminated in the work of Claude Garamont, of whom Constantin’s type are often mistaken.

Script font and alphabet grunge creative design
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